Stephane Godec

Arty East Dulwich

East Dulwich is now renowned as one of London’s up and coming areas, this formerly dowdy corner of South East London boasts broad leafy streeets and burgeoning high streets. Property prices are rising a higher rate here than anywhere else in London and this ‘gentrification’ bemoaned by some old timers, has resulted in an upsurge of trendy restaurants, design-led shops and personal trainers in every green space. Of course, the past inhabitants of East Dulwich (formerly known to many as part of ‘Peckham’) were those drawn to a cheap area of London to live in, and voila, a community of creatives emerged. The Camberwell and Goldsmith’s Schools of Art are within easy reach, so many ex-art students have remained in the area, growing careers and families in this leafy corner of South East London. ‘Incomers’ have been attracted by great transport links to the City, Docklands and the West End, bringing a whole new demographic to the area.

Jeannie Avent gallery
Jeannie Avent Gallery

 

The Dulwich festival incorporates the Artists’ Open House event, two weekends when the local artists literally open their homes and studios to the public, and this is a fantastic opportunity to see how artists work and live. As an artist, I know how much pleasure comes from the opportunity of meeting like-minded people, getting face to face reaction and feedback to new work, and chatting about art and design. This melting pot of artists and designers spreads over the ‘Dulwich’ corner of South East London and I love the opportunity of seeing, not only what these creative souls have been working on over the past year, but taking a sneaky look behind the facades of the Georgian and Victorian streets into other people’s homes! A stroll around the back streets is punctuated by the Artists’ Open House signs posted outside the participating properties, some front doors are left open, (Something unimaginable in this area twenty years ago!) some doorbells need to be rung, but in either case a warm welcome, often with the offer of a glass of wine, and snacks is always to be had, so don’t be shy, go out there and see what there is on offer!

This weekend we made the most of a blisteringly hot day to visit a few of the open houses around the Lordship Lane and Bellenden Road area, and the artists have kindly agreed to me sharing a few images of their work, of course this is only the tip of the iceberg as there are in all over 150 homes or studios open for the event, which runs over next weekend, the 14 – 15th May.

Tig Sutton, fine art prints
Tig Sutton

Tig Sutton Has been working on expressive brush marks, gloriously free in their movement, the subtleties of colour have been enhanced in their translation ito fine art prints, this is a bold move forward from his monochromatic prints of fine linear expressive drawings last year.

Ceramicist Sacha Tanyar ( Twitter handle @bansheeplum) is showing her gorgeous ceramics with friends illustrator Angus Robertson and painter Louise Hardy. A little foray into the back yard unveils cute hand painted bird boxes created by Sacha’s partner too; a real family affair!

bird box
hand painted bird box
David Hopkins
David Hopkins. Portraits

The home of David Hopkins is that of the archetypal artist, canvasses stacked against the walls, paintings covering every surface, portraits gazing around every corner, and occasional lighthearted looks at patisserie and foodstuffs. It was a delight to talk with the softly spoken David, who explained that his portrait subjects’rarely look directly at the viewer as he finds it disconcerting, and sees this as a tribute to Velazquez who also avoided the direct gaze of his subjects.

Sarah Kier
Sarah Kier

Scenic artist, Sarah Kier has been working on a series of paintings exploring the maps showing bomb damage to streets in the Blitz. The maps have been stencilled onto canvas and painted using scene painting techniques that she has used in her work for shows such as War Horse. Sarah is currently working with the National Theatre.

Ellen Hanceri
Ellen Hanceri 

Printmaker Ellen Hanceri has translated her block printed designs onto textiles, ceramics and homeware. Simple printed images tessellate in a style reminiscent of the woodcut designs of the 1940’s. Ellen is showing her work alongside ceramicist Ben Swift who has recently been developing a body of work that explores the torus form. I, however was instantly captivated by a display of his mini ceramic animals and a mantlepiece crammed with small cylindrical vessels before looking around the front room with the beautiful collection of suspended torus’ (or should that be torii?) along the walls!

Staying with the Liliputian theme, my next visit was to the front room of Stephane Godec who works under the label NoBookEnds. Stephan creates fantastical worlds from cut and folded paper using vintage books. He transports us from the city to the seaside with his little row of beach huts emerging from an old book, and his meticulous paper cuts are also shown as framed pieces of multi layered collages.

No Book Ends
No Book Ends. Intricate paper cuts from vintage books by Stephane Godec 

My final visit this weekend was to the workshop of Richard Wood who makes bespoke furniture. Richard’s pieces are refined, simple and elegant with a lightness of touch that is truly contemporary, the aroma of wood shavings permeates the workshop, and instantly transported me to my childhood, watching my grandfather turning wooden bowls on his lathe in the garage – happy days!!

If you happen to have the opportunity of wandering the streets of Dulwich next weekend, I would thoroughly recommend it, you never know what treasures you might find behind those front doors!

Coastal pleasures

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A little collection of images from a blissful day on the beach at Botany Bay in Thanet. Tall columns of carved chalk, rock pools and sand dunes envelope a quiet sandy beach scattered with miniature treasures. Minute fragments of seaweed, skeletal remains of seashells, vivid green splashes of seaweed fronds, microcosmic rock pools. All in all a mini adventure through the evidence of time passing, eroding and evolving on the British coast.

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A niche in the sun

A recent sojourn in France made me appreciate all those little corners of tranquility in our still unfinished renovation project. Despite the uneven surfaces, occasional damp, and never quite straight or square architectural idiosyncracies of a French farm house, I do love revisiting those little corners so often suffused with sunlight.

There is a constant pattern of evolving decor in our little house, and these changes are often led by new finds from the local French Brocante markets, or objects collected on country walks. We started by painting everything white in an attempt to rid the house of the ‘beige, dust and tobacco’ colour scheme of the previous inhabitants! Major construction work has necessitated minimal decoration until now, but we are constantly seeking inspiration  for that next exciting phase when we actually get to add more colour to the space. Drawers full of colour chips and wallpaper samples have built up over the years and files of inspirational magazine cuttings and colour reference images show our changing tastes over the incredibly long journey to this point. We have moved from minimal white to ‘holiday home’ colours; lobster pink, mediterranean blue, apple green. These have given way to natural clay paints, traditional ‘French grey’ woodwork and antique whites contrasted with a rich metallic sheen bronze wall covering, deep red walls and raw pink plasterwork in our cosy dining room, inspired by an ancient flocked velvet picture frame.

 

I was delighted to find that the Paint and Paper Library has been relaunched with a whole new gamut of colours, what bliss, a whole new opportunity to re-colour our house!

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Paint and Paper Library. New colour card

 

The card is made up of two distinct palettes, for easy use. The top half is of what they call ‘Architectural Colours’, essentially variations on the theme of white, these are designed to complement the 85 ‘Original Colours’ by either simply moving down the column of colours for monochromatic schemes, or by contrasting with a diagonal shift across the spectrum.

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Our bread oven serves as a perfect wine store and cookery book shelf.

Our kitchen has a fantastic old brick dome bread oven as it’s feature, it holds a pretty constant cool temperature and we use it to store wine and soft drinks, not chilled, but cool to the palate in the summer months. We have been searching for a soft, but contemporary white to complement the natural exposed stone, I think we might just find it in this collection, the architect’s emulsion is matt, flat and washable; perfect for a busy country kitchen.

Our house is overrun with mini corners of curiosities, collections of heart shaped stones, seeds or dried leaves, boxes full of pretty birds nests, brocante finds and odd shaped pieces of wood or branches. It would be easy to clutter the house with all this, so we are on a strict rotation, rearranging  and sorting with every season, and each time we rediscover our treasures it’s like meeting up with old friends.

 

In an attempt to keep as many original features as possible in the house, we have retained the original windows and doors where possible. Decades of paint have stories to tell, and I love the way that the old drips and layers of paint are apparent even through our top coat of gloss. I’m sure interior decorators will be throwing up their hands in horror, but I’m proud of the rustic story behind our walls!

One of my greatest pleasures is the transformation of a very dirty old attic into our spacious bedroom, the quality of light is pure bliss, and we have deliberately kept the space clean and open. However I am tempted to bring a little warmth to the colour scheme, and love the Paint and Paper Library’s combination of cool teal ‘Spur’ with the warmth of their ‘Plaster V’, so maybe a little area of warmth in the bedroom might be a good move with the next decorating splurge.

Paint & Paper Library
Paint and Paper Library

Rooted in cushions

I have been beavering away creating new designs for the ‘Rooted in’ cushion collection that I have been building over the past few weeks. I thought I should take this opportunity of showing off the final products!

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Artichoke Place
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Rye Lane cushion cover

 

The latest designs are Rye lane and Artichoke Place, both well known streets in my local area in South London. Artichoke Place SE5 in Camberwell, is a little cul-de-sac with the local Victorian swimming baths nestled at the end of it. Rye Lane is Peckham’s famous street, leading to Peckham Rye park. Peckham is named after the river peck, and the word Rye originally comes from the old English for brook. However, I have taken a little artistic license, and used ‘Rye’ to represent the wild grasses in the untended corners of Peckham Rye Park!

Leonardo at the Science Musem

Leonardo da Vinci, has always been a source of inspiration to me as an artist. I was looking forward to admiring his draughtsmanship in the ‘The Mechanics of Genius’ exhibition at London’s Science Museum. However, not a single original drawing was on display!!

Don’t misunderstand me, the exhibition was fascinating, hands-on and interactive, but it really missed the opportunity of presenting Leonardo’s mastery of engineering throuugh drawing. There were fantastic models, created for Leonardo’s 500 year centenary, and these were illustrated with tiny photographs of the original drawings alongside the displays. The design of the exhibition was great and did incorporate large scale blow – ups of Da Vinci’s drawings, the technology of the 21st century was used to animate some of the drawings on screens, all great, (and he would have been right up there with the technological advances of the 21st century!) but none of the real thing!!!

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Leonardo da Vinci, Flower studies

Having got over the initial disappointment of no works on paper I focussed on the wonderful ideas depicted in the exhibition, it is true that Da Vinci was one of the world’s great thinkers and the exhibition carefully emphasises the fact that although many of da Vinci’s engineering drawings were not new ideas at the time, he invariably took existing concepts to a new engineering level.

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Spring catapult 

The beauty of the forms and lines in his designs show the qualities of a true artist, and surpass the functional.

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Machine for twisting rope.

Details of the constructions were fascinating to me as I followed an enthusiastic 10 year old from one interactive experience to another.

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File making machine

So many of the concepts were ahead of their time, and many of the engineering concepts are staples of today’s civil and aeronautical engineering world. The exhibition cleverly linked the concepts in Leonardo’s work to today’s exploration in nano technology, future transport systems and development in engineering inspired by natural phenomenae such as the recreation of synthetic spiderweb strands, and development of intelligent underwater navigation systems.

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Spiral form flying machine and pyramid parachute.

So here I am, overawed by the genius of apioneer of engineering, and hoping for the opportunity one day of really seeing those drawings!