Makers Tales at the Guy Goodfellow Showroom

This week sees the official launch of the ‘Makers Tales’ series of artisan showcases in the Guy Goodfellow Collection Showroom in Chelsea, London.

Sarah Burns, who works under the name ‘Dora Fabrics‘ is a devotee of natural dyestuffs and has spent the last few years searching for native plants in the fields and hedgerows around her Sussex studio on the South Downs, and experimenting to develop an array of sumptuous colours that you would never imagine coming from plants such as the humble Ash tree or bramble.

Sarah escaped her life in the city working as an economist to follow her creative dreams, and re-trained as a printed textile designer, moving out of London to the idyllic countryside of Sussex. 

The designs in the Dora Fabrics collection are reminiscent of 1950’s woodcut prints; simple, graphic designs that originate from Sarah’s observations of her local surroundings. The graphic qualities of the prints are belied by the gentle colour palette created from the naturally dyed base cloths that Sarah creates.

For the ‘Makers Tales’ show Sarah has dyed sumptuous lengths of crunchy silk with dyes from the weld plant, which gives a glowing warm yellow, walnut and Ash bark which has given a rich pewter grey-green. Colours change depending on the mordant (or fix) that is used and on the fabric base, so Sarah’s dye recipe books are like a bible of invaluable observations.


When talking with Sarah, the joy of what she does is infectious and luckily for us she offers courses in dyeing where we can all experience the excitement of the unknown, foraging for plants, chopping, boiling and testing to our heart’s content in the fresh air of the Sussex countryside. Coming away with ranges of colour swatches and a new found respect for nature’s incredible bounty.

Of course, if you don’t fancy the process of dyeing then Sarah can be commissioned to create lengths of hand dyed linen or silk to suit your colour scheme, but be aware that the nature of the method means that you may need to wait until a particular plant comes into season, as in the world of Dora Fabrics Mother Nature dictates the seasons and their colours!

Sarah can be contacted via: http://www.dorafabrics.com

The show runs until the 14th June 2017

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Top Drawer

As each season of new products approaches, I look forward to visiting the Top Drawer Show in London. This is in the knowledge of course, that after so many years of trend spotting, I am extremely difficult to please, and find it hard to be ‘wowed’ by the products launched by the multitudinous companies that show their wares to the trade buyers at these shows.  However, I am the eternal optimist and turn up every time looking for that wonderful object, design or personal ‘click’ that makes me feel warm inside!

I am of course always drawn to the textile products, as that is my background, and this week chanced upon the stand of Peaceable Kingdom. The Peaceable Kingdom cushion collections came about through the artist designer Hugh Dunford Wood creating an image of a cat for his daughter and subsequently grew into a range of lino block printed cushions.

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Peaceable Kingdom cushions

The random qualities of hand block printing lend an individual element that I love to these simple and striking designs, and I feel that they embody the pared-down and simplistic feel of the current trend for naturally produced, bespoke furnishings.

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Mon Amie are a couple of florists from Leicestershire who have designed a simple work apron that is deliciously stylish, just the kind of thing I can imagine Vita Sackville-West donning to collect fully blown roses in her Sissinghurst garden! I was initially attracted by the sumptuous colour of their stand, a combination of soft slate, earth and warm mustard aprons simply hanging and folded in unassuming piles.

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Mon Amie Aprons

Again I was drawn to the organic simplicity of the presentation and products from this duo, and love that they have been brave enough to make a limited colour statement for the launch of these linen aprons. Mon Amie living has a gentle and restrained sense of style that so many of us aspire to, but are not often brave enough to make that statement.

Moving from garden to kitchen in a smooth transition, the understated luxury of The Silver Duck cutlery collection is an example of form and function pared down to a beautiful simplicity. Charlotte Anne Duckworth ihas refined the craft of silversmithing to forge light and elegant pieces of silver cutlery, combining this luxurious metal with the pale wood of holly  for the handles. I personally can’t resist a lovely wooden box, and Charlotte has presented her pieces in simple presentation boxes, with the pieces of cutlery nestled amongst wood shavings. These little cabinets of curiosity are beautiful in themselves, but don’t be fooled into thinking that the utensils can’t be used, they are perfectly functional and Charlotte provides a litttle bottle of oil and a soft cloth for us to maintain the holly wood after it has been washed!

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These were my pick of the Top Draw show this season, minimal, organic and functional all, but above all exemplary pieces of timeless design.