Guy Goodfellow Collection showroom

Over the past month or so I have thoroughly enjoyed being part of the team setting up the new Guy Goodfellow  Collection Showroom in Chelsea’s Langton Street. We have managed to create a tranquil setting for interior designers to view fabric and wallpaper collections, and led by the creative direction of Jaine McCormack, our little team has built a beautiful, refined environment to house the equally beautiful collections of Allyson McDermott wallpapers, the Guy Goodfellow Collection of fabrics and papers, Volga Linen and Cloth and Clover’s printed linens.

Guy Goodfellow Collection fabrics and Cloth and Clover’s printed linens.

Allyson McDermott wallpapers

As part of the showroom ethos of supporting artists and makers, I am very proud to have had my cushions selected by the showroom as one of the first featured ‘makers’.

Being accepted into this rarefied world of the interior decorators has really made me re-evaluate my approach to creating my products. Always slightly obsessive about attention to detail, I have sometimes thought of this as a disadvantage, but now I see that it is truly appreciated, and decorators really do accept that perfectionist aspect to my products.

Embroidery detail

This is not to say that I am aiming for identical, homogenised embroidery or fabrics, as the individual qualities of my pieces are a large part of their appeal, but I no longer worry about unpicking a stitch that is out of place and reapplying tiny beads to be ‘just so’ in order to make the most beautiful heirloom piece I possibly can.

It remains to be seen if this little foray into the world of interior decorators will pay dividends, but it is certainly a fantastic opportunity for me to explore the possibilities of the truly bespoke makers world.

Feathered edges

On my recent Visit to New York, I had a brief chance to look at The National Museum of the American Indian . It’s a kind of American version of the Pitt Rivers Museum in Oxford, but less chaotic. I was struck by two exhibits, one of a pair of neck collar pieces dating to AD500-1525 called Cocle necklaces, from Panama. One is made from fine hammered gold strips, the other seems to be from carved shards of bone or shell. Both give an impresion of extreme lightness and a feathered effect around the form of the necklace. bone collars


Further on in my trail around the museum I came upon this californian dance kilt/apron, made from Condor feathers and knotted twine, dating from the 1920’s -40’s. It’s funny how these things stuck in my head, and I ruminated over how I could incorporate the concept of feathers into my home furnishings collection.




And here is the result; I managed to source some rooster feathers and have used them to make a luxurious trim for the latest in my African inspired cushion collection. Combining hand tie-dyed Nigerian cloth, Yoruba beads and weaving and these lovely feathers has resulted in a real piece of luxury to add to the collection.

Red and black feathered cushion