Storytime at Decorex 2017

Decorex is renowned as London’s premier interior decoration event, and its aisles are populated by the cogniscenti of the interior design world searching for new ideas.
Revisiting the show I was excited to see that Decorex is encouraging smaller design companies to exhibit, and rather than sticking them in a dingy corner of the show, they are interspersed amongst the established brands.

Fanny Shorter, for instance, has a beautiful collection of hand printed linens, bold in colour and exquisitely drawn. Not for Fanny the current trend of photo-montage and digital printing, hers is a truly personal collection of designs inspired by the stories of Gerald Durrell and the island of Corfu.

Story telling is also part of Newton Paisley’s collection. Designer Susy Paisley is a biologist who has used her drawings to create a collection of prints that highlight the plight of endangered species. Glorious depictions of tropical creatures and plants printed on linen serve to preserve wild habitat through her collaboration with the World Land Trust. 


Baker & Gray‘ s collection is inspired by the lifelong travels of designer Sarah Baker. Prints and embroideries are derived from family heirlooms and plants forms from the African continent. Reminiscent of raw, untreated cloth the linens have an earthy elegance that harks back to a bygone age.

Smaller design companies have historically been limited in their collections by the prohibitive cost of print production. The evolution of digital printing has somewhat alleviated this problem, with shorter minimum print runs and the opportunity for affordable multi-colour printing.

It is, however, gratifying to see that the art of hand screenprinting is still very much alive and championed by small design companies. March & May handprint their collection of small scaled graphic printed fabrics in their Sheffield studio. Bicoloured or monochrome designs are all hand printed to order.

Designer and ceramicist Laura Hamilton is one of the Justin Van Breda Showroom’s new additions. Again these designs are inspired by a life well travelled, depicting plant forms of the Caribbean in their simple,pared back drawings, hand printed onto linen.

One of the more refined examples of digital printing in Decorex were the wallpapers of Boho &Co shimmering hummingbirds and delicate plants climb the wall reminiscent of traditional chinoiserie papers. The colours are get my contemporary, and the temptation to over design using digital artwork has been cleverly avoided.

One of the new companies launching at Decorex this year was Hunt & Hope not a print in sight, this company has rediscovered the art of traditional needlepoint and given it a fun twist. Camouflage and animal skin patterns are stitched by hand to commission ready for use on cushions, ottomans and accessories. A refreshing new approach to a traditional art.It is refreshing to see these and other small businesses thriving in the tough world of the interior decoration industry.

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Wooden it be lovely

Design Junction 2016  is one of my favourite mainstream shows of the annual London Design Festival. Contemporary design is presented within changing locations each year, all of which have some link with industry. This year’s Design junction is held at the newly revamped Kings Cross Granary Square, also home of the iconic Central St Martins School of art. Rather than attempting to give an overview of the show I have picked one theme which caught my eye as I was browsing the myriad of exhibits this morning: the trend for incorporating wooden elements into products that are more often seen using industrial, shiny or synthetic substrates.

 Notably in the lighting displays wood is being used in innovative ways, bringing a natural element to contemporary lighting.

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A.S design
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Another Studio design

Another Studio have developed new techniques for working with wood: taking sheet veneer and cutting and folding  it into dynamic shapes. The mix of machine and handmade processes serve to craft these beautiful forms.  The wooden sheets are backed with a fabric which adds colour to the inside of the lampshades.

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Tamasine Osher Design
Tamasine Osher has created a collection of wooden ‘cupola’ light forms that are from hand-turned wood with the beauty of the grain enhanced by the polished surfaces of the bowls which balance delicately within graphic steel and brass bases. The glow emanating from these wooden bowls has an ethereal quality that I love, and can envisage warming a cosy corner one winter’s evening.
Dinesen created an imposing backdrop to the entrance hall for the show. A giant wooden ‘tent’ structure served to showcase their range of stained Douglas fir and Oak flooring, setting the style for the strong wooden trend in this year’s show.
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Tala

The juxtaposition of industrial and natural was subtly used on the Tala lighting exhibit. This company has an ethos for sustainable design and have established a pledge to plant ten native trees in the UK for every 200 units sold within Europe. These lights have the aesthetic look of the traditional filament bulb whilst receiving all of the technical and energy saving capabilities of the LED. The bases or ‘knuckes’ of the lights are from turned wood, and soften the post industrial look.

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Geoffrey Fisher

The wooden home accessories of Geoffrey Fisher have all those wonderful tactile qualities of natural wood. The natural forms found in woodlands  make beautiful and sustainable products, Geoffrey transforms twigs and branches into products ranging from hooks and tabletop dustpan and brushes to whistles, catapults and skipping ropes.Retaining the bark and juxtaposing it with perfectly smooth surfaces gives this range an honesty that is both comforting and pleasing to hold.

In the spirit of sustainability, Design House Stockholm present the Atelier 2+ greenhouse. Essentially an architectural design, this mini greenhaouse is made of laquered solid Ash, with toughened glass panes. and a galvanised metal planting tray. it is designed to be a freestanding interior ornament, and brings my perusal of all things wooden to a natural close.

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Design House Stockholm