Labour’s of love…

I have been periodically revisiting this beautiful vintage needlepoint tapestry of wild birds over the past few months, adding my hand beaded embellishment, and searching for the perfect reverse cloth for the cushion. Thankfully the Guy Goodfellow Collection has just launched a new emerald courway of their popular Fez Weave which coordinates perfectly, so at last the cushion is finished!

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Makers Tales at the Guy Goodfellow Showroom

This week sees the official launch of the ‘Makers Tales’ series of artisan showcases in the Guy Goodfellow Collection Showroom in Chelsea, London.

Sarah Burns, who works under the name ‘Dora Fabrics‘ is a devotee of natural dyestuffs and has spent the last few years searching for native plants in the fields and hedgerows around her Sussex studio on the South Downs, and experimenting to develop an array of sumptuous colours that you would never imagine coming from plants such as the humble Ash tree or bramble.

Sarah escaped her life in the city working as an economist to follow her creative dreams, and re-trained as a printed textile designer, moving out of London to the idyllic countryside of Sussex. 

The designs in the Dora Fabrics collection are reminiscent of 1950’s woodcut prints; simple, graphic designs that originate from Sarah’s observations of her local surroundings. The graphic qualities of the prints are belied by the gentle colour palette created from the naturally dyed base cloths that Sarah creates.

For the ‘Makers Tales’ show Sarah has dyed sumptuous lengths of crunchy silk with dyes from the weld plant, which gives a glowing warm yellow, walnut and Ash bark which has given a rich pewter grey-green. Colours change depending on the mordant (or fix) that is used and on the fabric base, so Sarah’s dye recipe books are like a bible of invaluable observations.


When talking with Sarah, the joy of what she does is infectious and luckily for us she offers courses in dyeing where we can all experience the excitement of the unknown, foraging for plants, chopping, boiling and testing to our heart’s content in the fresh air of the Sussex countryside. Coming away with ranges of colour swatches and a new found respect for nature’s incredible bounty.

Of course, if you don’t fancy the process of dyeing then Sarah can be commissioned to create lengths of hand dyed linen or silk to suit your colour scheme, but be aware that the nature of the method means that you may need to wait until a particular plant comes into season, as in the world of Dora Fabrics Mother Nature dictates the seasons and their colours!

Sarah can be contacted via: http://www.dorafabrics.com

The show runs until the 14th June 2017

 The source of art is in the life of a people.

I do love to pop in to my local galleries on a completely random basis, (often to grab a coffee in addition to cultural input, it must be admitted!) The South London Gallery is a haven of the Camberwell/Peckham culture scene, and in addition to having a great cafe next door, shows pioneering contemporary British and international artists as part of its mission to “bring art to the people of south London”.

The current exhibition of  Slovakian artist Roman Ondak in the main gallery has uncovered the original Walter Crane marquetry panel inset into the gallery floor, and he uses the quote in the panel as his exhibition title; “The source of art is in the life of a people”. The exhibition lasts for one hundred days and a significant element of the work is an oak tree trunk sawn into one hundred disks, the disks have each been marked around one of its rings to represent a key historical event that happened in that year of the tree’s life. each day a new slice is mounted on the gallery wall and tracks the passage of time, demarcated by Ondak’s selection of significant events. it is fascinating to ‘read’ this timeline as it evolves through the show period, and realise that each of us has a different perspective of what we consider to be ‘significant’ historical events.

Roman Ondak has invited local young people to get involved in the creation of his work ‘Awesome Rules of Language’ where he has taken illustrations from a 1960’s textbook and recreated them on the walls of the gallery. The illustrations have been drawn over by the adolescent collaborators and these doodles and comments have given  a quirky contemporary twist as a commentary on social and educational norms.

Still in the theme of education, Ondak has salvaged four large school blackboards from his native Slovenia, entitled ‘Four Moon Phases’ a bowl of a ladle is inserted into each of the boards,  symbolising the four phases of the moon, referring again to the passage of time and the transition between past and present that informs our existence.

I will certainly be popping back periodically to check what has happenned next in Ondak’s ‘tree of history’.

Through rose tinted…

Having spent the last couple of weeks looking at various design exhibitions I couldn’t help but notice a predominance of Pink in the new launches this autumn.Not that ‘Barbie pink’ we all love to hate, but a fluctuation between soft dusty pink and what I always think of as a hot ‘Indian pink’.

There are so many preconceptions about the colour pink, but it has recently come to the fore of home furnishing palettes as a sophisticated and fresh tone within the home. Despite today’s misconception that “pink is for girls’, historically the colour has had masculine associations, notably in Japan, where the coloured pink-blossomed cherry trees are seen as representing the young Samuraii who fell in battle in their prime.The flowers took on a similar meaning during the second World war, when they were painted on the side of Japanese kamikaze warplanes

The city of Jaipur in India is known as the ‘Pink City’some say that the Raja Jawai Singh had the city painted pink to welcome the Prince of Wales on an official visit, and the colour has become part of the reatition of the city  with new constructions taking on the colour to this day. As Diana Vreeland said; “Pink is the navy blue of India”

This dusty pink plays a part in the current colour trend, adding a subdued tone to the pink palette. Icons of Denmark have used this soft tone in the upholstery of their contemporary chairs as seen at Design Junction last month.

Icons of Denmark pink upholstered chair
Icons-of-Denmark

Chanel’s iconic pink tweed has been re-invented over and over in their collections, this season it ranges from the original soft pink through to hot “Shiaparelli” pink.

In the home textile collections launched at this season’s Focus show at Chelsea design Centre several companies reference this pink tweed, for example ‘Cestino Flamenceo’from Harlequin, which from a distance, gives a softly undulating pink tone.  Villa Nova also introduce their design Koji geranium; a  warm, dusty pink, textured weave from their Hana Weave collection.

Harlequin fabrics, Celestino pink tweed fabric
Harlequin-fabrics

Whilst Romo have created a new tiny geometric weave using the same tones of soft pink.

Don’t be concerned by today’s prejudices against pink as only being ‘for girls’,  This is a relatively new phenomenon.  For centuries, according to Jean Heifetz (When Blue Meant Yellow: How Colors Got Their Names . Henry Holt, 1994), European children were dressed in blue because the color was associated with the Virgin Mary. The use of pink and blue emerged at the turn of the century, the rule being pink for boys, blue for girls. Since pink was a stronger color it was best suited for boys; blue was more delicate and dainty and best for girls. And in 1921, the Women’s Institute for Domestic Science in Pennsylvania endorsed pink for boys, blue for girls. It is a matter of debate as to when the colour pink became tagged as being only for girls ( I blame Barbie, but am probably wrong!)

Pink is generally known as a colour of happiness and innocence and it has been shown to have significant effects on our psycological state.

  • It has been used in prison cells to effectively modify agressive or erratic mood swings in inmates.
  • Pink is a symbol of joy in Catholicism
  • The color pink is thought to have a tranquilizing effect. Sometimes sport’s teams use pink to paint the opposing team’s changing room!
  • Pink encourages friendliness while discouraging aggression and ill-will.
  • Male weightlifters performance has been diminished when surrounded by pink, whereas female weightlifters performance was enhanced!

The Portugese luxury interior design company Jetclass presented a sumptuous interior display at 100% design, with soft pink furnishings and contemporary accessories.

Of course The Pink House By Rebecca Cole collection is right on trend with our “Love Walk”  hand printed cushion design too!

Love Walk cushion
Love Walk. Rooted in SE5. 45x45cm cushion

Brighter pinks are youthful, fun, and exciting, while vibrant pinks have the same high energy as red; they are sensual and passionate without being too aggressive. This is on show in Mauel Canovas’ Indian inspired embroidered linen, Clermont Pivoine  which lifts the spirit in the true tradtition of pink design. Brighter pinks are stimulating, energising and can increase the blood pressure, respiration, heartbeat, and pulse rate.They also encourage action and confidence. So we will keep an eye open for this positivity in seasons to come!

Manuel Canovas Clermont pivoine embroidered linen fabric
Manuel-Canovas

 

 

Wooden it be lovely

Design Junction 2016  is one of my favourite mainstream shows of the annual London Design Festival. Contemporary design is presented within changing locations each year, all of which have some link with industry. This year’s Design junction is held at the newly revamped Kings Cross Granary Square, also home of the iconic Central St Martins School of art. Rather than attempting to give an overview of the show I have picked one theme which caught my eye as I was browsing the myriad of exhibits this morning: the trend for incorporating wooden elements into products that are more often seen using industrial, shiny or synthetic substrates.

 Notably in the lighting displays wood is being used in innovative ways, bringing a natural element to contemporary lighting.

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A.S design
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Another Studio design

Another Studio have developed new techniques for working with wood: taking sheet veneer and cutting and folding  it into dynamic shapes. The mix of machine and handmade processes serve to craft these beautiful forms.  The wooden sheets are backed with a fabric which adds colour to the inside of the lampshades.

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Tamasine Osher Design
Tamasine Osher has created a collection of wooden ‘cupola’ light forms that are from hand-turned wood with the beauty of the grain enhanced by the polished surfaces of the bowls which balance delicately within graphic steel and brass bases. The glow emanating from these wooden bowls has an ethereal quality that I love, and can envisage warming a cosy corner one winter’s evening.
Dinesen created an imposing backdrop to the entrance hall for the show. A giant wooden ‘tent’ structure served to showcase their range of stained Douglas fir and Oak flooring, setting the style for the strong wooden trend in this year’s show.
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Tala

The juxtaposition of industrial and natural was subtly used on the Tala lighting exhibit. This company has an ethos for sustainable design and have established a pledge to plant ten native trees in the UK for every 200 units sold within Europe. These lights have the aesthetic look of the traditional filament bulb whilst receiving all of the technical and energy saving capabilities of the LED. The bases or ‘knuckes’ of the lights are from turned wood, and soften the post industrial look.

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Geoffrey Fisher

The wooden home accessories of Geoffrey Fisher have all those wonderful tactile qualities of natural wood. The natural forms found in woodlands  make beautiful and sustainable products, Geoffrey transforms twigs and branches into products ranging from hooks and tabletop dustpan and brushes to whistles, catapults and skipping ropes.Retaining the bark and juxtaposing it with perfectly smooth surfaces gives this range an honesty that is both comforting and pleasing to hold.

In the spirit of sustainability, Design House Stockholm present the Atelier 2+ greenhouse. Essentially an architectural design, this mini greenhaouse is made of laquered solid Ash, with toughened glass panes. and a galvanised metal planting tray. it is designed to be a freestanding interior ornament, and brings my perusal of all things wooden to a natural close.

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Design House Stockholm

Top Drawer

As each season of new products approaches, I look forward to visiting the Top Drawer Show in London. This is in the knowledge of course, that after so many years of trend spotting, I am extremely difficult to please, and find it hard to be ‘wowed’ by the products launched by the multitudinous companies that show their wares to the trade buyers at these shows.  However, I am the eternal optimist and turn up every time looking for that wonderful object, design or personal ‘click’ that makes me feel warm inside!

I am of course always drawn to the textile products, as that is my background, and this week chanced upon the stand of Peaceable Kingdom. The Peaceable Kingdom cushion collections came about through the artist designer Hugh Dunford Wood creating an image of a cat for his daughter and subsequently grew into a range of lino block printed cushions.

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Peaceable Kingdom cushions

The random qualities of hand block printing lend an individual element that I love to these simple and striking designs, and I feel that they embody the pared-down and simplistic feel of the current trend for naturally produced, bespoke furnishings.

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Mon Amie are a couple of florists from Leicestershire who have designed a simple work apron that is deliciously stylish, just the kind of thing I can imagine Vita Sackville-West donning to collect fully blown roses in her Sissinghurst garden! I was initially attracted by the sumptuous colour of their stand, a combination of soft slate, earth and warm mustard aprons simply hanging and folded in unassuming piles.

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Mon Amie Aprons

Again I was drawn to the organic simplicity of the presentation and products from this duo, and love that they have been brave enough to make a limited colour statement for the launch of these linen aprons. Mon Amie living has a gentle and restrained sense of style that so many of us aspire to, but are not often brave enough to make that statement.

Moving from garden to kitchen in a smooth transition, the understated luxury of The Silver Duck cutlery collection is an example of form and function pared down to a beautiful simplicity. Charlotte Anne Duckworth ihas refined the craft of silversmithing to forge light and elegant pieces of silver cutlery, combining this luxurious metal with the pale wood of holly  for the handles. I personally can’t resist a lovely wooden box, and Charlotte has presented her pieces in simple presentation boxes, with the pieces of cutlery nestled amongst wood shavings. These little cabinets of curiosity are beautiful in themselves, but don’t be fooled into thinking that the utensils can’t be used, they are perfectly functional and Charlotte provides a litttle bottle of oil and a soft cloth for us to maintain the holly wood after it has been washed!

olive-fork-270-imbyou-vallari-harshwal

These were my pick of the Top Draw show this season, minimal, organic and functional all, but above all exemplary pieces of timeless design.

Indoor gardening

I revisited one of my favourite art venues this weekend in the Cotswold town of Cirencester. The Brewery Arts Centre was one of the pioneers in encouraging designer makers to set up workshops and studios in their purpose built hub.For the past 40 years the Cirencester Workshops’ aim has been to ‘give the public good quality crafts, provide craftspeople with a fair rent and encourage them to produce creative work of a high standard, and to put the enterprise on a sound financial basis’.  I have been priveleged to witness the evolution of this centre over the years and have always enjoyed popping in to see what’s on in the gallery or peep into the workshops to witness some really stunning works being created. (Not to mention the fab coffee!)

The current exhibition, “How does your garden grow?” has been curated by garden designer Geoff Carr. He has created an indoor garden design which features ceramics, sculpture, garden furniture and tools. Although I was not a great fan of the synthetic lino ’tiling’ which didn’t really do the works sitting upon it justice, I thoroughly approve of the concept behind the show. So often, garden design elements are shoved to the background, overshadowed by showy plants and flowers, but this exhibition gives us the opportunity to see gardening staples, such as terracotta flowerpots, trowels and bird boxes in a new light as bona-fide pieces of craft in their own right.

The sculptural qualities of woven willow are more apparent in a gallery setting, before they have been overgrown with the plants they are destined to support. The ceramic forms of Nigel Edmonson incorporate ‘landscape based abstraction that responds to the Lakeland fells’ that lie on his doorstep.

Karen Edwards also works in clay , exploring her interest in plants and landscape. The pieces are hand formed, using various techniques to create individual pieces which are then embellished, embossed or polished and glazed.

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Karen Edwards

 

The palatial clay birdboxes created by Peter Garrard are a fantastical journey into his world of fascination with Chinese, Medieval and Pre-Renaissance artefacts. Lavishly decorated and glazed these dwellings would be for the most discerning of feathered property tycoons!

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Peter Garrard
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Peter Garrard

 

A row of beach hut striped teracotta pots spans the width of the gallery and I love the idea of these colourful elements added to the simplest form of garden pottery. The humble flowerpot has been given special treatment by potter Simon Hulbert who works in Haye-on-Wye. Simon says;”My work has always been varied in scale and complexity- from the humble plant pot, simply thrown, through to the larger one-off pieces which are often monumental in scale.” I am so pleased that he has treated us to this display of ‘humble’ pots.

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Simon Hulbert

I seem to have focussed on the ceramic elements in my photographs but there was a range of other mediums on show, including some stunning steamed wood baskets from Jane Crisp

jane Crisp

And just in case you feel the need to get your hands dirty and actually plant something in your garden here are some really splendid bespoke tools from Implementations to adorn your garden shed walls!

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Implementations Garden tools.