Storytime at Decorex 2017

Decorex is renowned as London’s premier interior decoration event, and its aisles are populated by the cogniscenti of the interior design world searching for new ideas.
Revisiting the show I was excited to see that Decorex is encouraging smaller design companies to exhibit, and rather than sticking them in a dingy corner of the show, they are interspersed amongst the established brands.

Fanny Shorter, for instance, has a beautiful collection of hand printed linens, bold in colour and exquisitely drawn. Not for Fanny the current trend of photo-montage and digital printing, hers is a truly personal collection of designs inspired by the stories of Gerald Durrell and the island of Corfu.

Story telling is also part of Newton Paisley’s collection. Designer Susy Paisley is a biologist who has used her drawings to create a collection of prints that highlight the plight of endangered species. Glorious depictions of tropical creatures and plants printed on linen serve to preserve wild habitat through her collaboration with the World Land Trust. 


Baker & Gray‘ s collection is inspired by the lifelong travels of designer Sarah Baker. Prints and embroideries are derived from family heirlooms and plants forms from the African continent. Reminiscent of raw, untreated cloth the linens have an earthy elegance that harks back to a bygone age.

Smaller design companies have historically been limited in their collections by the prohibitive cost of print production. The evolution of digital printing has somewhat alleviated this problem, with shorter minimum print runs and the opportunity for affordable multi-colour printing.

It is, however, gratifying to see that the art of hand screenprinting is still very much alive and championed by small design companies. March & May handprint their collection of small scaled graphic printed fabrics in their Sheffield studio. Bicoloured or monochrome designs are all hand printed to order.

Designer and ceramicist Laura Hamilton is one of the Justin Van Breda Showroom’s new additions. Again these designs are inspired by a life well travelled, depicting plant forms of the Caribbean in their simple,pared back drawings, hand printed onto linen.

One of the more refined examples of digital printing in Decorex were the wallpapers of Boho &Co shimmering hummingbirds and delicate plants climb the wall reminiscent of traditional chinoiserie papers. The colours are get my contemporary, and the temptation to over design using digital artwork has been cleverly avoided.

One of the new companies launching at Decorex this year was Hunt & Hope not a print in sight, this company has rediscovered the art of traditional needlepoint and given it a fun twist. Camouflage and animal skin patterns are stitched by hand to commission ready for use on cushions, ottomans and accessories. A refreshing new approach to a traditional art.It is refreshing to see these and other small businesses thriving in the tough world of the interior decoration industry.

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Labour’s of love…

I have been periodically revisiting this beautiful vintage needlepoint tapestry of wild birds over the past few months, adding my hand beaded embellishment, and searching for the perfect reverse cloth for the cushion. Thankfully the Guy Goodfellow Collection has just launched a new emerald courway of their popular Fez Weave which coordinates perfectly, so at last the cushion is finished!

Makers Tales at the Guy Goodfellow Showroom

This week sees the official launch of the ‘Makers Tales’ series of artisan showcases in the Guy Goodfellow Collection Showroom in Chelsea, London.

Sarah Burns, who works under the name ‘Dora Fabrics‘ is a devotee of natural dyestuffs and has spent the last few years searching for native plants in the fields and hedgerows around her Sussex studio on the South Downs, and experimenting to develop an array of sumptuous colours that you would never imagine coming from plants such as the humble Ash tree or bramble.

Sarah escaped her life in the city working as an economist to follow her creative dreams, and re-trained as a printed textile designer, moving out of London to the idyllic countryside of Sussex. 

The designs in the Dora Fabrics collection are reminiscent of 1950’s woodcut prints; simple, graphic designs that originate from Sarah’s observations of her local surroundings. The graphic qualities of the prints are belied by the gentle colour palette created from the naturally dyed base cloths that Sarah creates.

For the ‘Makers Tales’ show Sarah has dyed sumptuous lengths of crunchy silk with dyes from the weld plant, which gives a glowing warm yellow, walnut and Ash bark which has given a rich pewter grey-green. Colours change depending on the mordant (or fix) that is used and on the fabric base, so Sarah’s dye recipe books are like a bible of invaluable observations.


When talking with Sarah, the joy of what she does is infectious and luckily for us she offers courses in dyeing where we can all experience the excitement of the unknown, foraging for plants, chopping, boiling and testing to our heart’s content in the fresh air of the Sussex countryside. Coming away with ranges of colour swatches and a new found respect for nature’s incredible bounty.

Of course, if you don’t fancy the process of dyeing then Sarah can be commissioned to create lengths of hand dyed linen or silk to suit your colour scheme, but be aware that the nature of the method means that you may need to wait until a particular plant comes into season, as in the world of Dora Fabrics Mother Nature dictates the seasons and their colours!

Sarah can be contacted via: http://www.dorafabrics.com

The show runs until the 14th June 2017

Textiles in the Archives

I was recently invited to attend a lovely evening hosted by Poppy Szaybo, a textile artist and archivist at the London Metropolitan Archives near Mount Pleasant.

In all the many years I have lived in London, I am ashamed to admit having never visited the Archives before, and was delighted to find such a fantastic resource for historians, researchers and genaeologists, not to mention artists, who often neglect their intellectual stimulus in favour of practicalities of producing new artwork!

The theme of the evening was ‘Fancy costume – the art of dressing up” and the talk was given by Charlotte Hopkins who works for the archive. We were a small group of creative people all with a common interest in textiles and history.

The lecture took a long and sometimes sideways look at the fascinating subject of ‘dressing up’ and it’s traditions in European and English society, from the Pleasure Gardens of Vauxhall to photographs taken by students at the London College of Fashion in the 1970’s.

One of our primeval instincts, completely acceptable in childhood, but modified and subverted in adult life is the need to ‘dress-up’ or take on another transient identity for the pleasure of ‘pretend play’. The escapism and anonymity of dressing up burgeoned in the 17th and 18th centuries, becoming part of upper class social life, and often viewed at the time as a pathway to depraved behaviour. Aristocracy and high society families spent large sums on having beautiful costumes created, and there was a large industry of costume and mask makers in London. The lower and working classes were more inventive in their creations for dressing up opportunities,

The Lord Mayor of London hosted masquerade balls for the children of the professional classes, and no expense was spared in the creation of their children’s costumes.

The London Metropolitan picture archive’s online resource ‘Collage’ allows free access to thousands of the documents and images in the collection, and is a fascinating resource for historians and artists alike. Tiny snippets from historic documents are available to view on request, old newspapers, photographs and illustrations are a rich resource of inspiration and a little window into lives led in another era. 


I loved the tiny catalogues of prices and business cards that had been taken out for us to handle, listing prices for ‘ladies undergarments’ and necessities !

We were lucky enough to be shown into the strong rooms of the archive, deep in the building. 

Long corridors filled with shelves and files, all housed in custom made archival boxes, with one member of staff purely responsible for creating these custom made boxes! The wonderful aroma of ancient documents and slightly musty books pervades the space. What look like really old bound books are stacked on some shelves, but on closer inspection date back only to the 1950’s, maybe the mere fact of them being in this environment has given us a preconception of their antiquity!

London coroner’s court records are stored here, with files containing both the mundane and the macabre details of lives prematurely reaching their end. A sobering view as we peer into the corridors of files. Illustrations of dress design and fashions were displayed for us to see, and I was delighted to find plates of Leon Baskt illustrations amongst the pages of the London Illustrated News from 1913. Radical costumes for the time, unstructured and body hugging in comparison with contemporary fashions.

I could happily return (and probably will!) To explore more of this fantastic free resource, but leave you to explore either through the virtual portal of  ‘Collage‘ or in person, do let me know if you find a treasure!

Guy Goodfellow Collection showroom

Over the past month or so I have thoroughly enjoyed being part of the team setting up the new Guy Goodfellow  Collection Showroom in Chelsea’s Langton Street. We have managed to create a tranquil setting for interior designers to view fabric and wallpaper collections, and led by the creative direction of Jaine McCormack, our little team has built a beautiful, refined environment to house the equally beautiful collections of Allyson McDermott wallpapers, the Guy Goodfellow Collection of fabrics and papers, Volga Linen and Cloth and Clover’s printed linens.

Guy Goodfellow Collection fabrics and Cloth and Clover’s printed linens.

Allyson McDermott wallpapers

As part of the showroom ethos of supporting artists and makers, I am very proud to have had my cushions selected by the showroom as one of the first featured ‘makers’.

Being accepted into this rarefied world of the interior decorators has really made me re-evaluate my approach to creating my products. Always slightly obsessive about attention to detail, I have sometimes thought of this as a disadvantage, but now I see that it is truly appreciated, and decorators really do accept that perfectionist aspect to my products.

Embroidery detail

This is not to say that I am aiming for identical, homogenised embroidery or fabrics, as the individual qualities of my pieces are a large part of their appeal, but I no longer worry about unpicking a stitch that is out of place and reapplying tiny beads to be ‘just so’ in order to make the most beautiful heirloom piece I possibly can.

It remains to be seen if this little foray into the world of interior decorators will pay dividends, but it is certainly a fantastic opportunity for me to explore the possibilities of the truly bespoke makers world.

Design Museum London

Although the new Design Museum has been open for a little while, I have only just managed to visit.

Housed in the spectacularly remodeled Commonwealth Institute building on Kensington High Street, the museum is a testament to the commitment of Terence Conran to document and educate us about the design history of the everyday.

The current ‘pop up’ exhibition features makers and designers using the idea of the physical journey their product has taken in the course of its production.

Andrea de Chirico hairdryer.

Alix Bizet. Hair by hood project uses human hair to create garments.

I was also impressed by the sublime examples of 3D printing on display in the permanent gallery, some of which seemed too fragile to survive the  gaze of the visiting public!

Love is in the air…

In the spirit of self promotion a little reminder that St Valentine’s day is on it’s way and my Love Walk cushions and totes are available to order from my Etsy shop!